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Shadowing each character of Così fan tutte, Anne Teresa De Keersmaeker intimately marries song and dance. She excels in rendering visible the music’s underlying geometry, transforming the stage of the Palais Garnier into a laboratory for lovers. Starting out with the idea of immutable, eternal love, all four lovers let themselves slide, little by little, towards a more complex understanding of the sentiment of love as perpetual motion. Bodies seemingly inseparable come adrift, opening up the possibility of new combinations…
